by Lin Young
Touring the world of Victorian taxidermy inevitably leads you down a number of strange, otherworldly rabbit holes. Although grim and garish by today’s standards, Victorians were enchanted by stuffed animals in waistcoats, and animal taxidermy could be found both in natural history museums and private studies. In my own research, I came across plenty of stories of Victorians wandering the grounds of the Great Exhibition, taking in the sights of Hermann Ploucquet’s animal taxidermy tableaux of frogs at their shaving-tables and kittens sipping tea. There’s also Walter Potter, arguably the most famous Victorian taxidermist, whose popular ‘masterwork’, The Death of Cock Robin, was produced in 1861—exactly one year before Lewis Carroll first entertained Alice Liddell with his own stories of anthropomorphic rabbits.