Submission due date: 15 January 2019
Victorian Review invites submissions for a special issue devoted to the topic of fraud and forgery in the long nineteenth century (1789-1914). This issue will consider representations of fraud and forgery in British literature and culture, ranging from thematic representations of these subjects in literature, their pervasiveness in economic cultures and discourses, to their entanglement with the processes of literary, artistic and cultural production.
Possible topics may include (but are not limited to):
- The body: disguise; mistaken identity; the signature; impersonation; evidence of the senses; the body as text; misleading the senses; the body as evidence; sexual fraud and forgery; forged signatures
- The child: illegitimate children; fraud and forgery in children’s literature; the child as forged ‘text’; children and trickery; child fraudsters
- Love and marriage: bigamy; polygamy; fraudulent marriage contracts or vows; marital falsehoods; inheritance and the ‘marriage market’
- Death: fraudulent deaths; death and authority; inheritance
- Politics: political fraud and forgery; acts of censorship; mendacious politicians; political satire
- Gender: cross-dressing; the gendering of fraud; gendered susceptibility to fraud and forgery
- The spiritual and supernatural: spiritualism as fraud; the legitimacy of supernatural phenomena; spiritual means of divining ‘truth’; religion as moral economy; discursive overlap between religious ideas and the semantics of finance
- Financial fraud and forgery: speculation; gambling; counterfeit money; relationship between financial writing and fiction; ideas of credit; paper money and the gold standard; financial bubbles and joint stock companies; trust formation and advertising
- Counterfeit natures: Replacement food products; false medicine; fraudulent trade in livestock and animals
- Genres and authorship: poetry and the poetics of monetary meaning; the authority of fiction; periodicals and authorship; financial narratives and ‘it-narratives’; pseudonyms
- Paratexts: images and documents as evidence in literary narratives; maps; forged documents
- Neo-Victorian and other anachronistic narratives: imitations of Victorian style and genre; adaptations or dramatisations of Victorian works.
Articles must be between 5000 and 8000 words and formatted according to MLA (8th edition) guidelines. Please submit manuscripts in Word-compatible format to the editors, Dr. Elly McCausland (University of Oslo, Norway) and Jakob Gaardbo Nielsen (Aarhus University, Denmark) by 15 January 2019 at firstname.lastname@example.org